Australian capital territories



 

Athenaeum Theatre
Bookings: 1300 723 138

Slava's Snowshow

 

Following a recent hit season on Broadway, one of the world's most loved and awarded theatrical experiences, Slava's Snowshow is returning to Melbourne for a limited season.
The production is a magical theatrical masterpiece that melds the unbridled hilarity and unexpected poignancy of the art of clowning with stunning spectacle and awe - inspiring visual images, culminating in a heart stopping snowstorm that famously engulfs the entire theatre. Slava's ensemble of clowns created a world of wonder which is sometimes dark, often heart-breaking, but ridiculously funny. By the end of the show, the predominantly adult audience is caught up in a celebratory atmosphere if childlike play which no one wants to end.
Season opens August 12


 

Chapel off Chapel

Bookings: 61 3 8290 7000

 

 

 

Comedy Theatre
Bookings: 132 849

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Cromwell Theatre
Bookings: 61 3 9077 7798

 

Fairfax Studio
Bookings: 61 3 9690 2000

 

HAMER HALL
Bookings: 1300 136 166

Hale & Pace

The highly entertaining and much loved duo Gareth Hale and Norman Pace return to stages around Australia for a month commencing August 1 - September 5. 2009.
The madcap wit of this comedic duo have a unique rapport with the public and media alike, with each appearance and interview they provide a roller coasater of culteral parodies and inventive character creations.
Hale says to expect all the favourites on this tour. The Ronnies will be there, Jed and Dave, Billy and Johnny and songs that will tickle your fancy.
There will be lots of new material
says Norman Pace, nternational poker player, and we will be poking fun at anything that moves... or stays still. Members of the audience will also have a chance to star in the show.
Season: August 11 at 8pm


 

 

 

La Mama

Bookings:61 3 9347 6142

 

Tom the Loneliest

Tom the bearded Tom the bave, Tom the phone sex addict, tom the foul-mouthed, Tom the psycho, Tom the poet, Tom the fool, Tom the F**king Loneliest.
Season: June 16 - 27. Venue: Carlton Courthouse.

 

Meet the Darlings

 

The party may be over but nobody told Douglas and Isadore.
Meet the Darlings as they celebrate their long-awaited return to the stage. They're not going quietly and they sure as hell aren't taken prisoners.
A play on bad behaviour and the magnificent will to live.
Season; June 17 - 28

 

You're not the Boss of Me

Tumble in - to silent secrets - hiding palces old and new pieces neve to be touched - no not ever Yes Yes it will Be secret from boss.
Season: June 30 - July 11.

 

The Weather and Your Health

The enchantin story of a woman in a small town whose belief in beauty transcends the ups and downs of life.
Season: July 1 - 12

 

 

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CUB Malthouse Theatre
Bookings: 61 3 9685 5111.

Happy Days

Julie Forsyth Photographer Garth Oriander

In Happy Days the interdependence of joy and sorrow, faith and despair sre enjoined in classic Beckett fashion. Winneie, buried in a mound, still greets each day with a smile, applying d dutifully packing and unpacking her bag (the reassurance within arm's reach). Her husband, Willie, burrows somewhere behind her, occasionally scanning the daily news or lending a a mumbling reply to her probing questions. Hers' might not be the ideal life, but should a happy day come her way she will seize it with both hands. Buried slowly beneath the mire of an indifferent universe, Winnie offers the bravcest response possible. She persists.
Season: July 3 - 25. Venue: Merlyn Theatre.

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Melbourne Theatre Company

Bookings: 1300 136 166

2009 Season

Artistic director Simon Phillips announced that six plays of the 2009 season would be performed at the new MTC Theatre on Southbank Boulevard and thet they would be all Australian works.
"2009 is a landmark year in aour new landmark building. With the new 500-seat Sumner Theatre and the 150-seat Lawler Studi to add the Arts Centre theatres the breadth of the work opens up enormously. for the first time in our history we will have the right theatre for any play and any sized audoences imaginable", said Phillips.
The 2009 season comprises 12 plays in total including three world premieres, five new West End and Broadway hits, the revival of a British classic and a Christmas review.
The new $55 million MTC Theatre which has been 15 years in the planning will open on Tuesday January 27, 2009 with the world premiere of Poor Boy by Matt Cameron and Tim FInn and starring Guy Pearce.
Other plays for 2009 are:
Andrew Bovell's epic new work. When the Rain stops Falling, one of the hits of the 2008 Adelaide Festival.
The world premiere of Rockabye, a new satirical comedy by Jonna Murray-Smith set in the world of celebrity, starring Nicki Wendt.
The world Premiere of Realism by Paul Galloway, winner of the 2008 Wal Cherry Award for Best New Play, a backstage farce set in the 1930s Soviet Union, starring Miriam Margolyes.
A revival of the Australian classic, Dorothy Hewitt's The Man from Mukinupin starring Amanda Muggleton.
A Christmas revue by Max Gillies and Guy Rundle, Godzone, which features the Reverend Rudd of Rudd Ministries.
There are also six outstanding plays in 2009.
Grace by UK playwright Mick Gordon and philosopher AC Grayling is a moving and thought-provoking drama and will star Noni Hazelhurst in her Melbourne stage début.
Bruce Beresford will make his theatre directing début with the madcap Hollywood comedy Moonlight and Magnolias.
Joan Didion's stage adaptation of her best-selling memoir The Year of Magical Thinking s presented in an acclaimed STC production directed by Cate Blanchett and starring Robyn Nevin.
Award-winning Broadway hit, August: Osage County by Tracy Letts, an American family drama, will be the biggest production of the year and will feature an ensemble led by Robyn Nevin, Jane Menalaus and Robert Menzies.
Yasmin Reza's new savage comedy God of Carnage is about two supposedly civilised couples will star Pamela Rabe.
Harold Pinter's first major play, the post-war classic. The Birthday Party, will be revived in a production directed by Julian Mayrick.

 

New Theatres

The MTC Theatre represents an exciting new architectural addition to Melbourne's Southbank Culteral Precint and a new era in the history of the Melbourne Theatre Company.
Home to two performance spaces, the 500-seat Sumner Theatre and the 160-seat Lawler Studio, the building is the result of a creative collaboration between McDougall and Simon Phillips, MTC's Artistic director.
The Sumner will be Australia's most technically advanced drama theatre featuring:
Australia's only fleixable modular stage (enabling everything from traps to swimming pools to be installed)
A flytower housing 44 state-of-the-art powered flys, each capable of lifting 500kg
In an Australian irst, a fully flexible proscenium arch (enabling the stage to be used with or without a proscenium and the size of the proscenium to chage to suit the production).
An extensive thrust across three stage lifts (enabling the stage to move deep into the auditorium and potentially allowing for catwalk shows
Spacious seating , superb with no seat more than 18m from the stage
An interior design comprised of illuminated quotes from 80 iconic playwrights, including Aristphanes, David Williamson, Molière and Joanna Murtray-Smith
Dressing rooms for 23 performers with (for the first time) natural light.
In addition the Lawler Studio will act as both a rehearsal venue and a 160 performance space.

The MTC Theatre will also feature
Theatre bars
A café/bistro
Outdoor seating area
Spectacular views of Melbourne
The exterior of the building comprises a series of white cubes set against a black background that appear to shift as the viewer moves around the buildng.
Just like theatre, as the sun comes up the magic of the building recedes, but ay night, lit bu specially focussed floodlights, the building bursts into life in a glowing illusionisitc display.

 

August: Osage County

So what if Mom pops pills like circus peanuts? Or that these three sisters would be Chekov's worst nightmare? Who needs happy marriages and kids who make you proud? Good or bad. family is family.
So when the Old Man goes missing, its up to everyone to drop what they are doing and haul their burdens of resentment to Osage County, Oklahoma.
Season: May 23 - June 27. Venue: Playhouse The Arts Centre.

 

The Man from Mukinupin

Amanda Muggleton

Down in the wheat-belt town of Mukinupin, east of the rabbit roof fence, the shokeeper's daughter, Polly, is in love with youg Jack Tuesda. Her parents disapprove, but in this friendly community of batlers, you feel that love will overcome all. still, evvery town has its dark side and Mukinupin keeps hers well-hidden.
Season: June 6 - July 19. Venue: The new Sumner Theatre

Kerry Walker. Max Gillies

 

Savage River

Photographer Pia Johnson

Two lost souls living on the edge of Savage River = now more than a little more than a dam, a mine and a ghost town in Tasmania's north-west. From a ramshackle hut by the water, Kingsley foragesa living with his young son, Tiger. One night Kingsley returns with a stranger, the beguiling Jude, who unwittingly changes their lives overnight. Jude seems happy enough to enjoy Tiger and Kningsley's attention and let history slip her by...history, though, has a habit of catching up with you.
Season; July 22 - August 8. Venue: Lawler Studio.

 

The Colours

1946. Darkest Africa. Colour Sergent Atkins - British Army - has been left to guard the barraks... alone. It's time to pull down the flag (his beloved colours) and the natives are getting restless for independence - but Atkins has other ideas.
Season: August 26 - September 12. Venue: Lawler Studio.

 

Apocalypse Bear Trilogy

This is an invitation. New lands are being cerate. Money, now and the future are pouring onto the internet. Reality is splintering into shards of mirror and a casula, congenial bear is showing up at peole's houses. If you've had a bad day at school, he'll take you back to where it all went wrong. Or he may invite you into the woods - a place of myth, transgression and discovery, where outcasts can start again - but with grave consequences.
Season: October 8 - 24. Venue; Lawler Theatre.

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Palais Theatre 136 100

 

The National Institute of Circus Arts
Bookings: 61 3 9214 6974



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Palms at Crown
Bookings: 132 849

Buddy. The Buddy Holly Story

Peggy sue Gerron

BUDDY, The Buddy Holly Story is back for a strictly limited six week season at The Palms at Crown, Crown Entertainment Complex opening Saturday June 27, 2009.
Starring as Buddy Holly is Scott Cameron, The Big Bopper is too played by kin with Jonathan Whitlow as Ritchie Valens and Laura Bunting as Maria Elena Holly.
Buddy Holly started as a country and western singer in Texas and, with his two friends, formed The Crickets. With the support of local radio D. J. Hipockets
Duncan, Buddy Holly shot to stardom in 1957. He was the first white artist to ever perform at the “All Black” Apollo Theatre in New York. Tragically Buddy Holly died in plane crash alongside Ritchie Valens and J. P. Richardson (The Big Bopper).
Now on June 27, 2009 Fifty years on since the day music died BUDDY, The Buddy Holly Story brings back the remarkable Buddy and his music including such hits as That’ll Be The Day, Peggy Sue, I’m Looking For Someone To Love.  Rave On, Heartbeat ,Maybe Baby, Everyday -  songs that inspired the Beatles and helped trigger the whole 60s revolution, songs that, despite their countless cover versions and enduring airplay, have never lost their magic.

Playing Buddy Holly is Scott Cameron, a young man of 22 years, the same age as Buddy at the height of his fame and the age he passed on.
Cameron albeit his 22 years is a veteran of the music industry. Playing the guitar since he was aged  5 years his first professional performance was at age 7 opening for Comic Icon Steady Eddy and has performed with many music legends, Tommy and Phil Emmanuel, the late Slim Dusty, Lee Kernaghan, John Williamson, Gina Jefferies and Brian Cadd.
At age ten he won a gold medal in the prestigious South Pacific International Song Contest for his ballad Mama’s Gone.
Unusually for most show business personal Scott is the first in his family to enter show business. His home is the Gold Coast but does not see it too often. He toured as Buddy Holly in England and Majorca in Spain where he was surprised at the popularity of Buddy Holly. Even with all this experience as Buddy Holly he still had to audition for the role in BUDDY, The Buddy Holly Story.
A thoroughly natural young man whose keenness in his role is obvious after talking to him. It is if Buddy Holly has come alive. Cameron really has captured the feel of Holly and being a very talented young man the show is certain to be a winner.
Everyone who is a fan of Buddy Holly and even those who aren’t have heard the great hit Peggy Sue. Perhaps some still could be surprised to know that Peggy Sue is a real person. A charming lady Peggy Sue Gerron told your correspondent that her first meeting with Buddy Holly was in a hallway of Lubbock High School where Buddy, while running with guitar and amplifier in hand, accidentally knocked her over. He apologised by saying “I’m too late to pick you up, but you sure are pretty”.
Peggy Sue and her 'steady’ Jerry Allison, double-dated with Buddy and shared rhythm and blues records and plans for the future.
Following graduation Peggy married Jerry Allison who was the Crickets drummer.
Today Peggy is a celebrity speaker, radio host and columnist. Just as a sideline she is also a ham radio hobbyist keeping in touch with Buddy Holly fans across the wild.
A charming vivacious lady and very happy to be in Australia for the first time and was excited about seeing a kangaroo and cuddling a koala. Very enthusiastic about Scott Cameron portraying Buddy. She considers he has captured the exact feel of Buddy Holly even to some of his expressions .  

 

The Rhythm of Ireland

Legend, folklore and enchatment are interwoven in a voyage of discovery without falling into the trap of sentimentality. That's not to deny that some passages make the hairs om the nape of the neck rise.
Teh Rhythms of Ireland troupe's adaptation echoes the past as the dancers seem to fly across the stage to the beat of the bodhrán the Irish drum dating back to 3000 BC and the soaring notes of the fiddle. Great music, dancing and singing by performers of zipping quality and enthusiasm make you want to clap in time.
The haunting sound of the pipes, the energizing sound of the taps, the deep rhythms of the bodhrán and the shrill cry of the fiddle - the best of the Irish experience.
The incomparable quality and pure unadulterated spectacle of their work blends perfectly the ancient traditions of Irish dance and music with the innovative and flawlwsly choreogrqaphed production values of contemporary Irish excellence.
Season:September 9 - 12

 

 

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Playbox

 

 

Red Stitch Actors

ings: Bookings: 61 3 9533 8083
www.redstitch.net3

Lobby Hero

In the lobby of a city high-rise, Jeff, a luckless young security guard, is drawn into a murder investigation. Inquiries from the local police and duty to his job stretch Jeff’s loyalties to breaking point. When his upstanding supervisor is called to bear witness against his own troubled brother, and an attractive rookie cop finds she must stand up to her seasoned partner, truth and heroism prove heavy burdens to bear. From the writer of ‘This is Our Youth’ and the screenplays ‘You Can Count on Me’ and ‘Gangs of New York’.
Season: June 10 - July 11.

 

In a Dark House

Terry is visiting his estranged younger brother Drew in the grounds of a psychiatric institution. Drew a lawer turned wealthy businessman, wants Terry to confirm a watershed eventfrom their adolescence which may help make sense of his recent fall from grace. But information has a price. To this tense tale of fraught fraternal relationships, where male violence and vulnerability co-exist and where any emotion can be seen as a weakness.
Season: July 22 - August 22.

 

The Rites of Evil

Xavier and Easter re chance acquaintances on the nether side of life, troubled and and unstable misfits for whom elaborate conspiravy theories offer the only haven of certainty in a world that offers them so little.
When Xavier unwittingly tries to help his new friend he sets in motion a course of action that threatens catastrophe to them both.
Season: September 2 - 26.

 

Faces in the Crowd

When Dave moved out he left behind his family, wife Joanne and mounting finacial woes for ther life he always wanted. 10 years ion Joanne wants payback with interest and Dave seems ready to make amends with an extraordinary deal. Faces in the Crowd offers a raw and devastating account of a couple forced to take an inventory of their actions, accounts owing, and the bonds that define them.
Season; October 7 - November 7.

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State Theatre
Bookings: 1300 136 166

Mayumana

Direct from Israel and embraced by the Arts Centre this July is Mayumana, a dynamic and emotionally charged theatre experience for all to enjoy. Performing for the first time in Australia he production draws onthe skills of 10 performers of different nationalities with each performer bringing a inique flavour to the show.
Mayumana features the illustrious flamnenco dancing of Spanish-born Rosa belen Roldan, the quirky and imaginative drummng skills of Israel-born Ido Stadler, the emotional dancing of Ivory Coast-born Aka Jean Claude and the humorous precision of Argentinian-born all-rounder Walter Zaga. With all this, plus the stunning aural backdrop of Tanya Vinokuron the violin Mayumana will not fail to delight through their high-energy show.
Season: July 22 - 5 8pm and matinee Saturday 2pm.

During their week season in Melbourne, Mayumana will also be teaching as education workshop on Friday Juky 12, where secondary students will have the chance to learn and perform a segment from their show. The Mayumana cast are experienced instructors that have inspired young people around the globe and have a real focus on supporting creative development in the community./

Raise the Red Lantern

The National Ballet of China is opening on August 5 for seven performances.
With over 50 dancers, Peking Opera Singers, lavish costumes, rich period sets and a powerful narrative - Raise the Red Lantern will take the audience on an exciting and moving journey, igniting the senses of each audience member.
In 1991, the film Raise the Red Lantern by celebrated director Zhang Yimou (House of Flying Daggers) stunned the cinematic world and universal acclaim for its astonishing depiction of a feudal world, in which a young woman is forced aagainst her will to become a concubine of an old lord - a story based on an epic by Su Tong.
Zhang Yimou subsequently translated this tragic and moving story into a dazzling ballet designed especially for the National Ballet of China with the assistance of celebrated choreographer Wang Xinpeng.
In a brilliant reimagining of cinematic principles for the stage, Raise the Red Lantern features an exciting mix of classical ballet, folk and acrobatic dance, interspersed with mimd numbers from the Opera of Peking. Considered a production of immense culteral significance Raise the Red Lantern was first seen in Beijing as it ushered in the millinnium with a bold determination to give Chinese ballet a new face.
Season: August 5 - Sunday August 9.

 


The Athenaeum
Bookings: 136 100 & 61 3 9650 1500.

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TheatreWorks

Bookings: 61 3 9534 3388

Moving Works

Take 10 stunning independent Choreographers and Directors, 12 amazing performers and 1 empty stage; give them just 10 minutes to work their magic and prepare to be amazed as they showcase the latest and the best of what Melbourne's independent movement based theatre has to offer!


!. PEOPLES CHOICE AWARDS A cash prize will be provided to the chosen pieceto be put towards further development of the work.(chosen by the audience).
2. CREATIVE DEVELOPMENT AWARD Theatre Works will be provided the most outstanding ensemble with a weeklong creative development opportunity in the venue n October 2009 qnnd the opportunity to apply for the ongoing inclusion in the Theatre Works IN the Works and Selected Works programs.(chosen by the Industry Selection Panel)
Season: July 8 - 11.

Sunset Rising


When trying to get back up is the fastest way down.

Rachel Green lives her life like there's never going to be another day behind the one she is alrweady living... And sometimes she wishes there wasn't.
She's indulgent, she's tenacious and she loves to be loved. But as life's brutal reality makes its way to her surface Rachel finds it harder and harder to deal with her addiction, her sexuality and the people who influence both of these things.
So, will she coninue o deny herself of true happiness and let her own darkness consume her, or will she finally battle he demons and learn that it's okay to love, and be loved.
Season: July 15 - 18.

 

Melbourne Writer's Theatre & Melborn08
Booking: 61 3 9660 9666


 

Space 28 VCA Drama

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Belvoir St. Theatre
Bookings: 61` 2 9699 3444

Lady Macbeth of Mtsensk

In the dead of a bitterly cold night, a weary merchant is urgently called to work, leaving his restless and beautiful young wife unattended. Lonely and bored, Katerina seeks out the womanising new farmhand to entertain her, and the night escalates into a wild frenzy of love and obsession. What follows is a murderous tale, filled to the brim with betrayal and deception.
whilst it uses a classical text, Lady Macbeth of Mtensk is a contemporary exploration of one woman's experience of the extremes of obsession and the power of love's force.
Season: July 4 - 28. Venue: Belvoir St. Downstairs Theatre.

The Promise

It's 1942, amd for 827 days the Russian city of Leningrad is enduring one of the longest and most destructive sieges in human history.
As the Nazis invade and demolish their beloved city in front of their eyes, three unacquainted teenagers - Lika, Marat and Leonidik - take refuge in a dilapidated apartment. Leaving their pasts behind, the three are united in their hope for a more promising future.
Arbuzov's passioate tale is a three-hander that travels 18 years in the lives of the orphans, as they develop and follow their dreams. Once the war has subsided, the three are reunited and Lika is forced to choose between the two men she loves, the two who kept the promise alive.
Season: July 16 - August 23.

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Darlinghurst Theatre Company
Bookings: 61 2 8356 9987


Cat and Mouse

One of New Zealand's most prolific theatre companies, Finger[rints & Teeth Productions, are taking over the Darlinghurst's Tap Gallery in July, with a new production, Cat and Mouse, written by four time winner of the NZ Young Playwright's Competetiton, Thomas Sainsbury.
Roberto works in a bar and meets multitudes of women but nothing can prepare him for Cat. Drunk, desperate and on a failed date, he takes her number through pity and sleeps with ehr out of lust. A wek laterhe meest Cleo, confident, indifferent, independent - everything Roberto desires. Teh only problem is Cat and Cleo look, soun... and smell...the same, yet assure him they're different people. As Roberto juggles two paqssionate affairs with what may be the same woman, he's about to learn that the game has chaged for good - a game that someone has to lose.
Season: July 21 - August 2.

 

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Drama Theatre S.O.H
Bookings: 61 2 9250 1777

 

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Griffin Theatre
Stables Theatre
Bookings: 1300 308 776
Bookings: 1300 306 776


 

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Lyric Theatre Star city
Bookings: 1300 795 267

Hale & Pace

The highly entertaining and much loved duo Gareth Hale and Norman Pace return to stages around Australia for a month commencing August 1 - September 5. 2009.
The madcap wit of this comedic duo have a unique rapport with the public and media alike, with each appearance and interview they provide a roller coasater of culteral parodies and inventive character creations.
Hale says to expect all the favourites on this tour. The Ronnies will be there, Jed and Dave, Billy and Johnny and songs that will tickle your fancy.
There will be lots of new material
says Norman Pace, nternational poker player, and we will be poking fun at anything that moves... or stays still. Members of the audience will also have a chance to star in the show.

 

Riverina Theatre
Bookings: 61 2 6931 9466

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State Theatre

 

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Sydney Theatre
Bookings: 61 2 9250 1777

Poor Boy

Its Jem Glass'' seventh birthday. The cake is made, the party is about to start. But something's wrong. Jem is about to shock the rest of the Glass family with a startling announcement.
A black cloud hangs over the Prior family home. Danny, the eldest son, was killed by a car seven years ago and the burden of grief borne by his widow and his mother
has failed to diminsh over time. That is until Jem arrives at their house claiming that he is Danny reborn.
Season: July 6 - August 1.

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The Studio

Theatre Royal
Bookings: 1300 552 072

 

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Wharf 1

 

Wharf 2
Bookings: 61 2 9250 1777

 

The City

Jenny is complating about the noise. The incessant screaming of the neighbour's children has been keeping her awake. And with her husband away at war, she is sleepless and exhausted.
The neighbours have their own problems. Chris is about to be made redundant. Even at home, Clair, his wife, has met a writer who wants to take her to Lisbon. Why not go? She wants to be kissed - just not by her husband.
And then there's this war. A secret war that rages inexplicably aropund them. The city is besieged. People everwhere are clinging o to their everyday lives. And according to Jenny, the prognosis isn't so good.
season: June 28 - August 9.

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BiBille Brown StudioBlle Brown Studio
Bille Brown Studio
ph. QTIX 136 246


25 Down

James is 25, an aspiring artist and utterly lost. His best friend Emma is stuck in a dead-end job, might be pregnant, and thinks she's in love with James. The trouble is James is gay. Sipn and Gary are also looking to James for love. But James reckons Simon is just a kid and Gary's old enough to be his father.
Season: June 8 - July 4.

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Brisbane Powerhouse
Bookings: 61 7 3358 8600

 

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Concert Hall
Bookings: 136 246

Hale & Pace

The highly entertaining and much loved duo Gareth Hale and Norman Pace return to stages around Australia for a month commencing August 1 - September 5. 2009.
The madcap wit of this comedic duo have a unique rapport with the public and media alike, with each appearance and interview they provide a roller coasater of culteral parodies and inventive character creations.
Hale says to expect all the favourites on this tour. The Ronnies will be there, Jed and Dave, Billy and Johnny and songs that will tickle your fancy.
There will be lots of new material
says Norman Pace, nternational poker player, and we will be poking fun at anything that moves... or stays still. Members of the audience will also have a chance to star in the show.

 

Cremorne Theatre
Bookings: 136 246.

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LyricTheatre

 

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Playhouse
Bookings: QTIX136246

The School of Arts

A tribute to an extraordinary time in Queensland's culteral history, Bille Brown's new play The School of Arts follows a band of travelling actors to Biloela where their gun-toting version of Hamlet creates comic mayhem.
When the star of the show Byron Savage decides to "modernise" Hamletwith guns, he accidently gets shot with a real bullet, but the show must go on. Tensions run high, both off and on stage, as decades of famliy secrets and simmering feuds are revealed
Season: Juky 13 - August 1

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Studios

 

 

Twelfth Night Theatre

 




Australian Performing Arts Market

APAM 2010

Timed to coincide with the Adelaide Fringe and the Adelaide Festival in February 2010 the Australian Performing Arts Market (APAM) is a one-stop opportunity for the worl's program-makers to experience the very best in new performing arts from the Australian region.

APAM is a chance for artists and companies to contact with presenters and producers and explores new touring opportunities. It is a emarkable showcase of contemporary performing arts reflecting the vibrant cultures, energy, creative diversity and dynamism of the region.APAM brings together more than 400 of the most important performing arts presenters and producers from around Australia and overseas.- it is a unique networking opportunity for anyone whose livlihood is in the performing arts.
APAM 2010 will be held in the Adelaide Festival Centre in the inner city, a short walk from adelaide's shopping districts, banks, restaurants and accomodation. During APAM 2010, the Centre wil house the Help Desk and a business centre with computer and internet facilities and meeting rooms. The drama complex including the Space Theatre and Dunstan Playhouse, will be buzzing with showcases, forums, bgooths and networking functions.
APAM has won accklaim from the thousands of presenters, artists and arts organisations who have taken part in teh eight markets held to date. The Event Manager can offer advice on how to make the most of your participation.
As an Australian performing artist you could apply to take part in the Spotlight program or the Serachlight pitch sessions, promote your work via meetings and DVD screenings at an OnDisplay exhibition booth, or register as a delegate and network the many venue managers and producers in attendance or perhaps even meet other artists with whom you can collaborate in the future.
As a booth holder or a delegate, buyer, or seller, you can develop relationships with artists, producers, presneters, venue managers, festival directors and more from around Australia, New Zealand and the world.
Through a series of breafasts and cocktail parties, forums and interaction with Spotlight artists and On Display exhibitors, buyers and sellers alike will have a unique opportunity to engage with a range of national and international participants.

SPOTLIGHT LIVE SHOWCASE
Applications close August 14, 2009 and applicants will be notified by November 2009. For application forms go to www.performingartsmarket.com.au

SEARCHLIGHT Pitch sessions. Applications close August 14, 2009. Applicants will be notified by November 2009. For Searchlight application forms go to www.performingartsmarket.com.au

ON DISPLAY exhibition booths prices and application forms will be available in June 2009. Applications close September 18, 2009.
Applicants will be notified by October 2, 2009 and full payment will be due November 2009.
For application form go to www.performingartsmarket.com.au

REGISTRATION
APAM registration includes
. entry to On Display exhibition booths. Spotlight except performances, Searchlight pitch sessions, keynote ddress, forums and workshops.
APAM Guide (200 pages), including complete contact details for all participants. (prelimanry details will be available online after Decenber 11 to assist with advance networking).
opening night gourmet BBQ dinner on February 22.
visit to Cleland Wildlife Park on February 22 (optional)
Access to reduced airfares and accomadation rates.
discounted tickets to selected Adelaide Fringe and Adelaide Festival performances.

Early Bird Registration closes December 11, 2009 qand a late fee of $130 will apply to all registrations received on or after December 12, 2009. No Exceptions.
P;ease ote there is no single day rate for registrations.
Tickets for the Closing Luncheon, to be held on Friady February 26, 2010 will go onsale in December 2009.

RATES:
Early Bird Registration for payment receivedon or by 11 Decembe 2009 - $685
$620 for 2nd and subsequent regisatrations from the same company/organisation must be processed at the same time.
Late registrations received on or after 12 Decemberf 2009 $815.
All figures are in Austral;ian Dollars and include 10% GST.

All further inquiries go to www.performingartsmarket.com.au or ring 61 8 8271 1488 fax 61 8 8271

email: apam@artprojects.com.au

 

Amy Hit Theatre

Bakehouse Theatre
Bookings: 61 8447 6211

Slow Awakening

Set in Dimboola Slow Awakening is the story of Cyril, a proud Ngarrindjeri man and a brilliant Rock n' Roll dancer, and Ivy, Wotjobaluk woman and a ballroom dancer. They meet in 1962 at a dance celebrating the YES referendum.
They fall in love and marry. We meet them 35 years later, when secrets kepr hidden are about to be revealed...
This tender new Australian play explores one family's search for meaning and identity.
Season: Septembeer 3 - 5, 8 - 12, 1 - 19.

 

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Dunstan Playhouse

Festival Theatre
Bookings: 61 8 8205 2220

 

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Her Majesty's
Bookings: 131 246

 

 

 

 

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The Space
Bookings: Bass 131 246.

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Theatre Royal
Bookings: 61 3 6233 2299

 

The Ship That Never Was
Bookings: 61 3 6471 7700

The Ship That Never Was

Tasmanina's longest running play The Ship That Never Was based on a real event in 1834 when the last ship built at the convict settlement at Macquarie Harbour was about to sail for the new prison at Poet Arthur but was hijacked by 10 convict shipwrights.
So begins the story of an amazing escape, an extraordinary voyage and an intriguing twist in the tale of The Ship That Never Was.
The play tells the dramatic and hilarious true story of the Great Edcape from Sarah Island! delightful family entertainment not to be missed.
Advance bookings are necessary for all grouops. The play is approxiamately one hour and is performed every day at 5.30pm and from December 27th to January 26th at 5. 30 pm and 8.30pm.

           

 

Black Swan Theatre
Bookings: 61 8 9484 1133

 

Burswood Theatre
Bookings: 1300 552 072
www.bocsticketing.com.au

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His Majesty's
Bookings: 61 8 9484 1133


Regal Theatre

 

Australian capital territories

CANBERRA THEATRE
Bookings: 61 2 6275 2700 & 1800 802 025

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